Interview with Carrie Jean Goldsmith

“I’m motivated by just about anything and every thing, irrespective of whether it is really tunes, the landscape, how I’m experience on a individual day or just life.”

By Increase Artwork | 19 Jul 2022

Carrie Jean Goldsmith has a short while ago joined Rise Artwork, bringing her portfolio of abstract paintings to the system. Carrie is inspired by nearly anything and every thing, from the environment to her very own actual physical and contemplative point out. She then employs her abstract and loosely representational type with colour, gesture and tonal gradation to seize the essence of her issue, trying to find the harmony involving expressionism and informed thought.

We spoke to Carrie about the evolution of her practice and the most current initiatives and exhibitions.

Carrie measuring a canvas in her studio


How would you explain your artistic design?

I would explain my style as gestural, instinctive and intuitive.


How has your observe developed over the yrs? Have you always worked in an abstract design?

My practice has developed so substantially in excess of the a long time. One of my early inspirations was (fellow) Canadian artist Emily Carr whose landscapes are even now my favorite of this genre complete of wealthy color and drama. I was initially drawn to trees and forests as my subject matter and eventually deconstructed these visuals to shapes and light. I moved on to fully abstracted functions a quantity of several years in the past but a lot of of these early abstracted parts ended up however based on ‘things’ and with a fairly geometric really feel.

During the to start with lockdown I uncovered myself loosening up with good swathes of colour and significantly more seen brush strokes. This procedure was immensely satisfying and the paintings commenced to consider on a significantly far more intuitive and gestural strategy I feel this was a immediate final result of the constraints imposed and my response to them! I now use these a lot less really hard-edged marks but I am nevertheless very fond of bold traces and include these into considerably of what I do. I like the contrast of ethereal, diaphanous strokes coupled with with bolder, forceful marks.

Panacea, 2021, by Carrie Jean Goldsmith


Inform us a bit about the inspiration behind your paintings

I am impressed by anything and everything, no matter if it really is tunes, the landscape, how I am emotion on a distinct working day or just everyday living. I come across expressing myself on the canvas very natural. You should not get me mistaken, it has taken a really lengthy time for me to locate my voice in this way. Immediately after several years of painting landscapes and trees and then different deconstructed images, I am now at a position exactly where I am relaxed portray in a substantially much more expressionistic method and have observed an solution that will work for me that is neither laboured nor pre-planned. The only true preparing is the dimension of canvas and a standard palette decision while the latter invariably evolves and adjustments fully from that preliminary ‘plan’!

Expose, 2022, by Carrie Jean Goldsmith


What is an common day like in your studio?

I try to be in front of my easel for 9am and ordinarily commence by ending off a perform that I could have beforehand began. I discover I want this heat up prior to starting off a model new operate. I like to have some time color mixing and making use of my many brushes and palette knives to deliver back again the muscle memory right before starting a contemporary portray. I also often just take a early morning to just get ready new canvasses, creating the bars, stretching, sizing and priming so that I am never ever in a situation the place I do not have a ready floor to start off new operates. At the time my canvasses are primed I just about blindly include them in a picked out set of hues that may well or may possibly not be noticeable when the painting is finish. I really like the serendipity of this procedure as those initial marks that were not at first component of the a lot more focussed composition can often enjoy their section.

Hey Now, 2022, by Carrie Jean Goldsmith


Who are your critical inventive influences?

As talked about over, my early influences consist of Emily Carr and I also love the perform of so many artists portray close to that time Mark Gertler, Dora Carrington, Edward Burra, Juan Gris and then, relatively afterwards, Richard Diebenkorn, Francis Bacon and, of program, summary expressionists such as Helen Frankenthaler, Franz Kline and Robert Motherwell and the lesser known Bernice Bing (furthermore so lots of some others!). As considerably as more contemporary artists go I adore the beautiful geometric paintings of Tomma Abts and am also a lover of Sean Scully and Peter Doig to identify but a handful of.


Who are some Rise Artwork artists with perform you might be savoring at the moment?

I have found out these artists on Rise Art: Susanna Klein, Daisy Prepare dinner, Nina Archer, Sue Kennington, Kirsten Lilford. The fact that they’re all female is quite coincidental, I swear! I especially like the paintings of Kirsten Lilford which maintain an ambiguity at the similar time as showcasing everyday recognisable scenes. They are also superbly painted.

Velvet, 2022, by Carrie Jean Goldsmith


Are you presently working on any remarkable new jobs?

I am doing work on some commissions at the moment and I am also producing a whole new system of operate for two exhibitions later on this calendar year.

I am delighted to say that I have had the two my 2022 submissions to The Royal Academy Summer time Exhibition recognized this year in which they’re at the moment hanging in Gallery 1.

Angelia S. Rico

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