The Southbank Centre today announces a four-month reopening programme, Summer Reunion – providing opportunities for people to reconnect, reunite and enjoy a colourful, joyful celebration of art, culture and entertainment.
The packed programme features ballet, classical music, contemporary music, literature, poetry and visual art. The reopening of the Southbank Centre and Summer Reunion programme is made possible thanks to the repayable loan from the government’s Culture Recovery Fund.
On 30 April the popular weekly street food market returns, alongside riverside pop-ups. The Hayward Gallery welcomes visitors back on Wednesday 19 May with free weekend entertainment outside the Royal Festival Hall from Friday 21 – 23 May. The Royal Festival Hall will reopen on Friday 28 May with socially-distanced performances in line with government guidance. The National Poetry Library will also open on 28 May while the popular Queen Elizabeth Hall Roof Garden is also set to open this summer.
Royal Festival Hall turns 70
Marking a pivotal moment for the Royal Festival Hall, the reopening of the venue in May coincides with its 70th anniversary when it was first opened in 1951 as part of the Festival of Britain. The post-war cultural moment provided a ‘tonic for the nation’ for millions of people who attended events at the main Festival site on London’s South Bank, and the events held across the UK. The reopening of the iconic Modernist hall this May as the nation navigates its way out of the coronavirus pandemic, draws powerful parallels with its post-war beginnings, and the presentation of the summer season marks an extraordinary moment for audiences reengaging with live culture post lockdown and reconnecting with one another.
To mark the 70th anniversary of the Royal Festival Hall, a specially-commissioned poem about the beloved venue by Theresa Lola is to be filmed and released worldwide on 3 May. Theresa Lola is a British-Nigerian poet based in London and was appointed the 2019/2020 Young People’s Laureate for London.
Elaine Bedell, Chief Executive of the Southbank Centre, said: “We’re so pleased to be throwing open our doors again and we hope that our Summer Reunion programme will give people the space and opportunity to reconnect and reunite as the Southbank Centre has so often offered in the past. It’s poignant that we’re working towards reopening the Royal Festival Hall in May, 70 years after the building was first opened as part of the Festival of Britain celebrations in 1951 when it provided a much-needed ‘tonic for the Nation’.”
An unmissable opening weekend
The Royal Festival Hall will come to life on 28 May, welcoming audiences for the first time since March 2020. Chineke! will formally launch Summer Reunion: their alumnus Sheku Kanneh-Mason returns for his first RFH appearance with the orchestra since his debut in 2016 to perform Dvořák’s mighty Cello Concerto; and Remnants, the vital spoken word concert piece for our time by James B. Wilson and Yomi Sode, commissioned by the Southbank Centre to mark the Black Lives Matter protests in 2020, is repeated for the first time with live audiences, following its world premiere behind closed doors in October. The following day, the Royal Philharmonic Orchestra brings families together for its popular format, ‘Noisy Kids: Heroes & Villains’ adventuring through some of music’s most thrilling works. The opening weekend culminates in a headline performance from Anoushka Shankar who continues her role as the Southbank Centre‘s Associate Artist with her 2019 EP Love Letters – this event will be live-streamed globally.
The return of English National Ballet
English National Ballet (ENB) return to the Royal Festival Hall for the first time since 2017 with a two week programme of repertoire highlights in ‘Solstice’ (16 – 26 June).
‘Solstice’ features highlights from classics like Swan Lake, The Sleeping Beauty, and Le Corsaire as well as a passionate duet from Broken Wings (Annabelle Lopez Ochoa’s ballet on the life of Frida Kahlo) and joyous steps from Coppélia. There are moments of reflection and tenderness in extracts from Akram Khan‘s Dust and Ben Stevenson‘s Three Preludes, set to Rachmaninov’s music. The programme concludes with William Forsythe‘s Playlist (Track 1, 2), a high-energy work set to neo-soul and house music.
Tamara Rojo CBE, English National Ballet’s Artistic Director, said: “I’m so pleased we will be performing at the Royal Festival Hall this summer. After so long without performing in theatres it’s wonderful to have the opportunity to have so many of the Company back on stage showcasing highlights from English National Ballet’s much loved and diverse repertoire.”
After 13 years as Principal Conductor and Artistic Advisor, Esa-Pekka Salonen bows out with two unmissable concerts with the Philharmonia Orchestra after a disrupted final season; he is joined by Yefim Bronfman (4 June) and Mitsuko Uchida (10 June), two of his long-time collaborators.
The Royal Philharmonic Orchestra return on 2 June, this time with conductor Vasily Petrenko who makes his first major appearance in his new role as Music Director Designate as Kian Soltani, the orchestra’s former Artist-in-Residence performs Haydn’s Cello Concerto in C major. On 3 June, violinist Alina Ibragimova and friends come together to perform a work born out of extraordinary circumstances: Messiaen’s Quartet for the End of Time, a visionary work written within the freezing walls of a German Prisoner of war camp.
Author events with Caitlin Moran (8 July) and Candice Brathwaite (29 July) also take centre stage at the Royal Festival Hall. Caitlin Moran celebrates getting older with her new book, More Than a Woman, a hymn to the women in their 30s and 40s and their supernatural ability to deal with the stuff they never thought would happen to them including grey hair; lasting hangovers, ageing parents and repetitive sex.
Candice Brathwaite, author of the bestselling I Am Not Your Baby Mother, introduces her new book of essays, Sista Sister. Examining family, money, Black hair, fashion, sex and friendships, Sista Sister is a compilation of essays about all the things Brathwaite wishes someone had talked to her about when she needed guidance as a young Black girl growing up in London. Her first book I Am Not Your Baby Mother, was a landmark publication in 2020 and an inspirational guide to life as a Black British mum.
Artist-development organisation and Southbank Centre Associate Artists, Tomorrow’s Warriors join Gary Crosby OBE, Brinsley Forde and Noel McKoy and rising-vocal stars Dem Three for ‘Jazz Jamaica All-Stars: The Trojan Story’ (18 July), a celebration of the legendary Trojan Records, established in London 1968 as the first label to distribute the music of Jamaica on a grand scale, becoming for many in the UK the first point of contact with Jamaican music and culture – the event will be streamed globally to keep that mission alive.
Tomorrow’s Warriors and Kinetika Bloco will be back on site from the summer delivering their youth music programme including the annual Summer School.
Tickets for the indoor programme go on sale to Members on 27 April and on general sale on 28 April with the exception of English National Ballet’s ‘Solstice’ which goes on sale to Members on 28 April and on general sale on 29 April.
What’s on outside
The free Riverside Terrace Stage programme will run for 15 consecutive weekends from 21 May – 30 August. The Southbank Centre will dedicate the first five weekends to providing a much-needed platform post-lockdown for emerging UK artists who have been hit the hardest over the last year. Ten DJs and collectives, predominantly from under-represented backgrounds in the arts, take over the outdoor space. Artists are: Scene + Heard (21 – 22 May), Creole Cuts (22 – 23 May), Raze Collective (28 – 29 May), Total Refreshment Centre (29 – 30 May), The Bitten Peach (4 – 5 June), London Disco Society (5 – 6 June), AZEEMA (11 – 12 June), SISU (12 – 13 June), Counterpoints Arts (18 – 19 June) and Lemon Lounge (19 – 20 June). The rest of the line-up for this eclectic, free programme will be announced soon.
Outdoor art adds a splash of colour and fun for visitors to explore for free. During lockdown Malawi-born artist, academic and author Samson Kambalu has been creating flags that explore the iconography and visual patterns of flags from around the world, playing with ideas of national and individual sovereignty and links to emancipatory movements such as Pan-Africanism and Black Lives Matter. In Black Jack (17 May – 5 September) the artist remixes colours and designs of flags improvising in the same way a DJ or Producer remixes music. This link between music and visual language is underpinned by Kambalu’s history as an ethnomusicologist. Black Jack aims to bring a colourful and subtly thought provoking element to the Southbank Centre‘s unique architectural setting.
First opened for public participation in 1968, David Medalla’s A Stitch in Time (21 June – 16 July) in the Royal Festival Hall invites visitors to sew and stitch memories, words, and small objects onto what becomes a shared installation. Beginning with a blank piece of fabric each time, this work has toured worldwide for the last five decades, temporarily capturing thoughts and moods in every place it has appeared. Known and respected for his communitarian approach, Medalla was a key figure in the British avant-garde scene after arriving in London from Manila in 1960. Medalla particularly liked that visitors taking part in stitching were doing so in their “…own private space, even though the act of stitching might occur in a public place.” A Stitch in Time is on loan from the Southbank Centre‘s Arts Council Collection.
Ilke Gers, a former tennis player and visual artist from Aotearoa, New Zealand, makes art that can be physically experienced by the public. Street Games (21 June – 29 August) is a composition of re-imagined games that the public can play. Drawn around the Southbank Centre site with chalk the games and markings continuously fade and reappear throughout the summer.
Fans of the spoken word can hear Linton Kwesi Johnson’s poem New Craas Massahkah (21 June – 29 August) written 40 years ago in 1981 to commemorate 13 young people who died in a house fire in a neighbouring community in New Cross, South London. Their deaths resulted in the historic ‘Black People’s Day of Action, where 15,000 people from all over the country joined a demonstration outside the Houses of Parliament and Fleet Street declaring that their humanity mattered. Visitors can hear the poignant poem every hour on the Queen’s Walk.
Further Summer Reunion programme announcements will be made soon.
Keeping audiences safe on site
As we welcome visitors back, our number one priority is the safety, health and wellbeing of visitors and staff, so we have introduced a number of measures to help everyone feel confident. These include QR codes at entrances which link to NHS Test and Trace, reduced visitor numbers, social distancing, wearing face coverings, physically distanced seating, fresh air circulation measures and regular and thorough cleaning. We will continue to review and manage any risks and respond to any changes in government guidance. Full details of our Covid-secure measures can be found on the Southbank Centre website here.
As previously announced, the Hayward Gallery reopens with Matthew Barney: Redoubt and Igshaan Adams: Kicking Dust from 19 May – 25 July 2021. Exhibition details for Matthew Barney can be found here and Igshaan Adams here.
The Southbank Centre‘s one-off series, In the Green Room continues as the final five names are added: Anoushka Shankar (17 May), Mitsuko Uchida (24 May), Michael Rosen (31 May), Nicola Benedetti (7 June) and Sheku & Isata Kanneh-Mason (14 June). The 10-week series of in-depth conversations between Southbank Centre‘s curators and the globally-known artists and collaborators they have welcomed to the Southbank Centre over the years, is free with a priority offer for Members. The events are streamed publicly every Monday evening on YouTube Premieres from 12 April – 14 June.