Inside the Sketchbook of Evie Hatch

Evie Hatch is an artist and writer whose sketchbook apply traverses her investigations into drawing, portray, pigments and paint building, as properly as recording working day-to-day notes. You may perhaps currently be acquainted with Evie from her creating in this article on the blog site, so we’re thrilled to characteristic a further search into her private practice and share her pragmatic and personal assistance on her use of sketchbooks.



Evie Hatch normally takes us as a result of her sketchbook practice

Hunting back, I consider I grew up with a sketchbook exercise. Each of my mothers and fathers kept sketchbooks, diaries, and notebooks to document, try to remember, and report, so it was purely natural that I would do the similar in my possess way. I keep in mind at main and secondary school we had been offered flimsy very little ‘rough books’– so-named to suggest that there was no expectations of presentation. They were being for scribbling in, doodling, attempting out pens, passing notes, drawing hearts about the names of classmates we liked– nearly anything we required. Without knowing it we were all holding sketchbooks, we just weren’t given the language to reflect that.



My observe is quite components-led, and it is especially led by pigments and their characteristics. I make most of my possess paints with dry pigment and linseed oil (to make oil paint) or gum arabic (to make watercolour). Generating paint offers you so considerably handle in excess of its texture, regularity, and power. I appreciate the management it gives you above the paint. Producing paint can be time-consuming, but because I paint swiftly it is pretty useful to have section of the system that slows me down, increasing time for choice-earning. I imagine it helps make me a much better painter.



My sketchbook is in which I check and report all of my watercolour paints, whether handmade or from a tube. When I’m portray in my sketchbook I make positive I note what colours I’m employing, the pigment index figures and, if from a tube, the model name. Information like this make it uncomplicated to remember what will work and what doesn’t. If I pick to translate anything from my sketchbook to an oil portray, I can be genuinely educated about what pigments I use.




I generally use 1 sketchbook at a time and Stillman & Birn sketchbooks are my go-to decision, notably the Beta series which consists of 270 gsm chilly pressed, off white paper. I use a ton of watercolour so I desire a heavyweight paper that won’t buckle. I are likely to alternate among the 8 x 10 in portrait and 8.5 x 5.5 in landscape dimensions. I favor the softcover versions of their sketchbooks– the hardcover kinds are extra sturdy but I just really like the velvety feel of the softcover!



From time to time I’ll have a sketchbook for a distinct medium or event. For instance, a whole e-book for silverpoint drawing, an previous drawing system of applying a silver stylus on a prepared abrasive ground. If I’m likely on a big holiday break I like to devote a whole sketchbook to it.



My oil paintings are usually very tiny, so I come across it valuable to prepare a website page by drawing all over a panel and lining the edges with masking tape. In this way I can make ‘mini’ paintings that can easily be translated into an oil painting. Most items in my sketchbooks do not get translated into paintings. nevertheless. I never subscribe to the thought of a sketchbook often being a spot of preparing for ‘the genuine thing’. The webpages can be will work in on their own.



I really don’t consider my sketchbook all over the place. Most of my sketchbook function is done in my studio, at home, or when I go to a museum or gallery. There is almost nothing superior than an afternoon at the Countrywide Gallery or Tate Britain with my sketchbook drawing from a Titian, a Rembrandt or a Fragonard. I could drop myself for hours. By repeating a drawing about and above yet again certain components commence to shed meaning and turn out to be abstracted, until eventually new meanings and narratives begin to sort. These drawings are what sow the seeds for a new painting. Previous yr I began researching Art History at the Courtauld Institute in London. The tutorial research of paintings of the earlier has educated my very own perform, but equally my inventive exercise informs my approach to the topic. The to start with move right before composing an essay is drawing the work I’m composing about in my sketchbook– it is an exercise in wanting that means I detect items I hadn’t seen before.



My sketchbook internet pages are also residence to a variety of mundane things– shopping lists, to-do lists, dreams, nightmares, notes-to-self, no matter what I require to produce down. I choose to integrate everything into one area, alternatively than have various sketchbooks for diverse uses operating concurrently. Hunting back at old sketchbooks, it’s truly these banalities that seriously deliver a snapshot of a unique second in time. It also aids remind me not to be valuable about sketchbooks– there are no rules about what they can incorporate.



I simply cannot anxiety enough the relevance of courting sketchbooks. When I fill 1, I label the backbone with acrylic paint so I can identify when it was started and when it was done. It is stunning how uncomplicated it is to neglect when a sketchbook was employed. 1 matter I wrestle with is beginning a new sketchbook. It’s my least favorite part– cracking the spine and becoming confronted with web pages and webpages of blank place is overwhelming! 1 of the approaches I get all around this is opening a random web page and beginning there. It takes absent some of the stress of making that initial mark on the to start with website page.



Sketchbooks are an speedy and important aspect of my observe. Every person has a different connection with their sketchbooks– unique behaviors, different supplies, and different methods. This is what helps make them the most personal portrait of an artist.


Materials I use:

Stillman & Birn Beta Softcover Sketchbooks

Jackson’s Artist Pigments

Roberson Dry Pigments

Gum Arabic Alternative

Daniel Smith Watercolours

Winsor & Newton Long term White Gouache

Koh-i-Noor Retractable Pencil

Caran D’ache Luminance Pencils

Low-tack Masking Tape

Golden Silverpoint Ground




About Evie Hatch

Evie moved to London in 2013 to analyze Drawing at Camberwell University of Art and has stayed at any time given that, painting from her studio in Brixton. She has been an artwork writer at Jackson’s due to the fact 2019, contributing articles or blog posts relating to pigments, their attributes, and how they have been utilized throughout record. This yr Evie graduated from the Courtauld Institute of Art, London, with a Graduate Diploma in Artwork History. She will be returning in the autumn to study for a Masters specialising in artwork of the European Middle Ages.

Observe Evie on Instagram




Further more Studying

Within the Sketchbook of Kay Gasei

Making Handmade Watercolours With Jackson’s Artist Pigments

Building a Everyday Drawing Exercise With the Royal Drawing University

Earning Your Possess Oil Paint With Jackson’s Pigments


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Clare McNamara

As Blog site Editor, Clare oversees content material for the web site, manages the publishing timetable and contributes frequently with capabilities, assessments and interviews. With a track record in good arts, her tactics are illustration, graphic design and style, online video and songs.

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